Posts Tagged ‘Lute Technique’

This ebook, An Alexander Technique Approach to Lute Technique, is published on this website in a PDF format. It is very detailed and practical, and it will give you the physical tools you need to take the limits off of your ability to create the accurate lute technique you want without sacrificing your body.
This ebook is also for sale on all AMAZON websites in a KINDLE format.
Located in Albuquerque, New Mexico, U.S.A. (MOVEMENT THERAPY)

Primary Control is the basis of organized coordinated lute playing in the Alexander Technique. When a lutenist is playing the lute with the most organized elegant movement possible, then the head is leading the lutenist’s spine into lengthening, as the arms and fingers move from a decompressed, vertically balanced, and aligned spine.

This means that all of the nerves that radiate from the spinal cord have no pressure on them. So, the nerves can send the signals from the brain for movement and/or muscular support, as you play the lute, without being slowed down by the vertebrae and muscles pinching the nerves.

The brain and spinal cord always organize the movement that the body produces, but when the Primary Control is interfered with by muscular tension and compression and poor posture, then that organization is poor organization. THE ALEXANDER TECHNIQUE IS ALL ABOUT THE QUALITY OF A LUTENIST’S POSTURE AND TECHNIQUE.

The Alexander Technique recognizes that a huge amount of wear and tear and physical pain on the lute is caused by how you play, not by what you play or how long you play.

The assumption in the Alexander Technique is that we are born with an innate ability to move with beautiful Primary Control, and that babies crawl with the head leading a lengthening spine naturally, given that the baby is healthy in a healthy environment.

If you were to observe a 1,000 lutenists playing, you’d be hard put to see one lutenist playing with beautiful Primary Control (given that none of them had done any Alexander Technique work). What does playing the lute without a compromised Primary Control look like?

The lutenist sits fully upright with a completely mobile body (not trying to sit straight). The lutenist’s neck is free and the lutenist is aware that the head is leading a lengthening spine upward, which means that the lutenist is able to see his or her hands, as the head continues to lead a lengthening spine upward.

This means that the lute player is completely engaged in playing the lute without being pulled downward into the instrument. This fully upward mobile posture balancing on the sit bones, gives the shoulders and arms of the lutenist a balanced torso to float on, so that the performer can effortlessly generate the tone, volume, and accuracy that he or she wants from the instrument.

When the lutenist’s shoulders are floating on a fully upright torso, then the shoulder girdle is free to back up the arms and hands as the lutenist performs, and the shoulder girdle doesn’t have to tense up to support itself.

When the lutenist’s body is organized by the Primary Control, then the performer is free to place all of his or her awareness on a lute technique that isn’t being compromised by a compromised Primary Control. In other words, if the lutenist’s body is collapsed or over-tense with poor head/neck/spine organization, then the pure specific lute technique of the lutenist can never be what it would be, since it is not backed up by a balanced body.

WHEN THE FOUNDATION OF COORDINATED ELEGANT HUMAN MOVEMENT IS COMPROMISED, THEN THE SECONDARY TECHNIQUE OF A SPECIALIZED ACTIVITY, LIKE PLAYING THE LUTE, WILL NEVER BE AS EFFORTLESS OR AS CONSISTENT AS IT COULD BE.