Jazz or Rock Guitar – Warming Up (Electric)(Musicians)(Psychology)(Pain)(Strain)(Injuries)(Posture)(Alexander Technique)(Albuquerque)

This ebook, An Alexander Technique Approach to Jazz and Rock Guitar Technique, is published on this website in a PDF format. It is very detailed and practical, and it will give you the physical tools you need to take the limits off of your ability to create the accurate guitar technique you want without sacrificing your body.
This ebook is also for sale on all AMAZON websites in a KINDLE format.
Located in Albuquerque, New Mexico, U.S.A. (MOVEMENT THERAPY)
Most of the jazz or rock guitarists I have worked with over the years warm up. Most of them say they are not happy with how well they play when they practice 50% of their practice time. So, three to four days out of each week most guitar players are not happy with how they’re playing/practicing. This means that warming up by playing scales, arpeggios, studies, etc. does not work half of the time. Why?
BECAUSE MOST JAZZ OR ROCK GUITARISTS PRACTICE FOCUSING ON THE ENDS OVER THE MEANS. The Alexander Technique calls this end-gaining. END-GAINING means that the guitar player doing his or her warm-ups is focusing only on what is coming out of the guitar and not taking care of him or herself.
Simply, the warm-ups are not being used as a place for the jazz or rock guitarist to bring him or herself into balance on the instrument. They are a place to do a daily mostly unconscious RITUAL, and hope that at the end of the warm-ups they will play well. AS I SAID, MOST JAZZ OR ROCK GUITAR PLAYERS DON’T PLAY WELL AT LEAST HALF OF THE TIME.
How does the Alexander Technique solve this problem of making warming up on the jazz or rock guitar effective? IF AT LEAST HALF OF THE TIME THE WARM-UPS AREN’T HELPING, THEN WARMING UP IS NOT EFFECTIVE!
Here is a famous definition of insanity: Insanity is doing the same thing over and over and over expecting different results. This seems to be what is happening to most jazz or rock guitarists. They believe that warming up before playing works, because isn’t this what everybody does? And even though it doesn’t at least half of the time, this doesn’t seem to shake most guitar players’ faith in warming up. They just keep warming up!
So is this faith misplaced in most jazz or rock guitarists? No! Why? If the intention of warming up is to take the guitar player to a place each day that they can play with ease and grace, this intention is perfectly sane. IT IS HOW THE AVERAGE JAZZ OR ROCK GUITARIST WARMS UP THAT DOESN’T WORK.
So, in an Alexander Technique session I have the jazz or rock guitar player sit or stand, and I ask the guitarist to play a scale for me for a few minutes. I ask the guitar player what they thought. Usually I get a response telling me they are NOT HAPPY with what they’re hearing.
I now ask him or her to play a scale at a very easy slow tempo. They’re usually happier with the performance. I then ask the jazz or rock guitarist to place all of their awareness on sitting or standing fully upright WITH EASE and not care how the scale sounds. They’re usually even happier with the playing. I now ask the guitar player to focus on releasing any unnecessary tension out the hands and arms, and the guitarist is really beginning to like what he or she hears. Why?
I’VE ALTERED THE WHOLE INTENTION OF THE WARM-UP. I’VE MADE THE WARM-UP A PLACE WHERE THE JAZZ OR ROCK GUITARIST CAN CONSCIOUSLY BRING THEIR MIND AND WHOLE BODY INTO BALANCE WITH THE AID OF THE SCALES, ARPEGGIOS, ETC.
Now, the warm-up is a place where the guitarist can fully connect to what is happening in his or her body at that very moment on the guitar, and can consciously choose with the Alexander Technique knowledge of what a balanced poised body is on the jazz or rock guitar. The guitar player is now using the warm-up as a place to consistently, day after day, create physical and emotional well-being with the aid of the guitar.
This approach truly turns the jazz or rock guitar into something you do daily into a place where you know almost every time you sit or stand to play, even if you are in a bad place, the guitar can be used to lovingly return you to a good place.
So, after a warm-up where you bring your whole body into coordinated poised balance on the jazz or rock guitar, then making music can be what you do daily to make yourself happy almost every single day.

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An Alexander Technique Approach to Jazz and Rock Guitar Technique

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Ethan Kind

AUTHOR, TRAINER "When you change old habitual movement patterns with the Alexander Technique, whether in playing a musical instrument, running, weightlifting, walking, or typing at a computer, you create an ease of body use that moves you consistently into the zone." - Ethan Kind Ethan Kind writes and is published extensively on all of the above activities. He teaches musicians, athletes, and computer operators how to stop hurting themselves, by showing them how to use their bodies with ease and coordination. He brings a unique perspective to his work, having been a musician and athlete all of his life. After training for three years at the American Center for the Alexander Technique (New York, NY), Ethan received Professional Certification credentials.